Where are found Fatal Bazooka rap superstar

Giusepe Tornatore "Baarìa"

with Francesco Scianna, Margareth Madè, Michele Placido. 2: 40.

A same it outlines its future plans on the street and flies above the roofs. Thus takes off "Baarìa." Concrete by the author of "Cinema Paradisio", this fresco traces the fate of a popular family of Sicily from the 1930s to the 1980s, of fascism to the disenchantment of the extreme left... Partly autobiographical, "baarìa" evokes especially Toto Cutugno who sang: "I am an Italian, a true". Each plan is displayed as a time of apotheosis and proclaims his sublime kicking of picturesque. Dialogues are fair, Morricone pours his violins, camera trace of large movements of crane through a setting of mascarpone... And the movie collapses, exhausted. "baarìa" is produced by the society of Sylvio Berlusconi, who very officially recommended "that all Italians" to see this "masterpiece". He had the delicacy is nothing Advisor to the French.

A. G.

"Fatal" of Michaël Youn

with Michaël Youn, Stéphane Rousseau, Isabelle Funaro, Armelle, Jean Benguigui, Catherine Allégret, Fabrice Eboué. 1: 45.

Where are found Fatal Bazooka rap superstar. Jacket in Royal ermine, gold, diamond finger chain, it shines at the top of the bling-bling. Her Fatal Majesty aligns millions of fans, four Music Awards, has a magazine in his glory, a clothing line, and prepares to open Fataland, a park in his name. Everything bathes to close this as a star of electro, a certain Chris Prolls (Quebec comic Stéphane Rousseau), is put at the top of the counter. Against all odds, the indestructible Fatal cracking when its true origin is revealed to fans: far from a city suburb, he was born Robert Lafondue in the Savoyard mountains. Party recharging in its own, the bruised icon goes in the footsteps of his daron undergo a sort of ordeal of the pastures. It will be more strong, ready to face the ultimate challenge that launches it Chris Prolls. Well launched at the beginning, mechanics of laughter was flu enough soon to make room for a final with a highly dubious taste: vulgar.

T G.

"L'Orpailleur" of Marc Barrat

with Julien Courbey, Tony MPoudja, Sarah Martins, Jimmy Jean-Louis, Philippe Nahon. 1: 30 pm.

Rod (Tony MPoudja), Parisian of Guyanese origin, and his friend Gonz (Julien Courbey) landed in Guyana to try to understand the reasons for the bloody conflict between the father and the brother of Rod. Quickly, the two friends understand that things are more complicated that suggests the rumour. They are placed on the runway of the illegal miners massacred ruthlessly Guyanese forest by Yann (Sara Martins), a young and beautiful tourist guide, activist green. Gonz is seized by the gold fever and is sinking into the forest, agreeing to plunge eight hours per day for its new masters. It takes great sniffs cocaine shock. Rod, helped Yann, part in his research to the save the semi-slavery in which it has been reduced. It is in the depths of the forest he will retrieve his friend and discover the truth about the disappearance of his brother. It will also reconnect with his Guyanese roots through a shaman. Based on good feelings the denunciation of the plundering of Guyana by gold seekers the film by Marc Barrat sentence to convince both situations, characters and dialogue are caricatures.

T G.

"Free hands" of Brigitte Sy

with Ronit Elkabetz, Carlo Brandt, Noémie Lvovsky, François Négret. 1: 40.

Director of film, Barbara (Roni Elkabetz) is working on a project to write a film shot in prison with inmates of long sentences. Twice a month, she organizes repeats in which inmates write personal stories inspired by their story then play their role to a small camera. It was during these visits that a strong relationship forging between Barbara, separated from a fellow ex-toxico she a girl, and Michel (Carlo Brandt), robber's violent past. Their love blossoms in the eyes of all will compel them to the law even pay strong. Inspired by a real story based on the practice of the realization in prison of Brigitte Sy, "The hands-free" are somewhat trapped, if you dare to say, this double will show one and the other. Rehearsal scenes, also well played they are, eventually be a bit tedious. On the secret history of love in this place, the prison, where there is by definition cannot be hidden with the others, it takes well theatrical paths regards supported, heavy pointed, final sentences ("your hair are sublime") involving evil uncomfortable.

T G.